OVER 20 DOCTORS AGREE - READING MY ARCHIVES MAKES YOU SEXY!!

Monday, October 30, 2006

Mr. Bellamy's Breakfast... OF DEATH!!!

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from Death Jr. script by Gary Whitta, art by Ted Naifeh

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Sunday, October 29, 2006

Copy of Copy of boo! sancuary the marvel comics art of wallly wood



from "Sanctuary" Art by Wally Wood

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Saturday, October 28, 2006

STOP! HAMMERTIME!

Are you like me? Do you often yearn to see the Norse god of thunder hit a giant, water- dwelling horse on the noggin with his mystical Uru hammer?

Hammer Time!
Ahhh..... Now isn't that better?



from "Sea of Destiny" - Bizarre Adventures #32 by Alan Zelenetz (script) and John Bolton (art)

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Thursday, October 26, 2006

Seriously, This Has Got to Be, Like, Totally Freaking You Out

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from Uzumaki vols. 1-3 by Junji Ito

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Wednesday, October 25, 2006

Read This Book Before You Go to Sleep

William Hope Hodgson's The House on the Borderland has always creeped the holy hell out of me. I first read it back in high school when I was on a Lovecraft bent and a friend suggested it. Being such a slim volume, it didn't take long to read. But when I finished it in the wee hours of the morning, I found myself glancing around at random shadows and flipping the lights on before I walked down the hallway on the way to bed. You know, for safety and stuff. *AHEM*

Anyway, this little book turned out to be one of the most disturbing, satisfying horror stories I'd ever read. When I found out a few years ago that Vertigo was due to publish an adapted version with art by Richard Corben, I came as close as a mild-mannered bookstore employee can to completely flipping out. I immediately got that sucker all pre-ordered up and when it came in I set aside a whole hour to read it. I'm happy to say I wasn't the least bit disappointed.

This adaptation has everything you could possibly want from a good horror story.

Creepy-ass mansion overlooking seemingly bottomless pit?
House on the borderland....CHECK


Crazy unreliable narrator dude trapped in asylum?
Cruel mental health officials...CHECK


Scary-mean locals that don't take kindly to strangers?
Scary Townsfolk...CHECK


Forbidden ruins just outside of town?
Creepy Ruins...CHECK


Journal from last dude who messed with unknown forces warning you that you're about to die but that you keep reading anyway?
Evil journal...CHECK


Crazy, naked, portentous dream?
Portentious dreams...CHECK


Happy, unsuspecting new homeowners?
Creepy house...CHECK


Half-glimpsed, shadowy beings?
Something Lurking in the shadows...CHECK


Believed to be doomed animal companion that shows up again at last minute to save his master's life?
protective animal companion....CHECK


Hideous race of other-dimensional, subterranean pig-men?
Hideous race of underground pig-men....CHECK


Barricade that probably won't hold?
Heroes barricaded inside...CHECK


Prolonged and bloody siege followed by brief, false victory?
The siege...CHECK


An axe to the back of a porcine head?
Axe to the head...CHUNK...er, I mean CHECK


Gateway to Hell?
Gateway to hell...CHECK


Ill-advised trip to the basement?
A trip to the basement...CHECK


Secret passageway that was probably sealed up for a pretty good reason?
A sceret passage...CHECK


Sudden mood swing brought on by infected monster bite?
crazy sibling...CHECK


An uncomfortable number of incest-laden panels?
Poesque incest...CHECK


Yet another ill-advised trip, this time into the yawning cavern where all the evil stuff lives?
A descent into the bowels of the earth...CHECK


Gory transformation scene?
A hideous transformation...CHECK


And we top all this off with a breathless escape followed immediately byA breathless escape...
a horrible, bloody death via pig-monster.A horrible death....


from William Hope Hodgson's The House on the Borderland adapted by Richard Corben and Simon Revelstroke with Lee Loughridge

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Tuesday, October 24, 2006

Six Spooooky Covers!

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Monday, October 23, 2006

Halloween Week Begins!

See Vic kill. Kill, Vic, kill!











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from "Cold Cuts"- Shock SupsenStories #5, October-November 1952 - Al Feldstein (Script), Jack Davis (Pencils/Inks), Marie Severin (Colors)

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